Auld Lang Syne

"Auld Lang Syne" (Scots pronunciation: [ˈɔːld lɑŋˈsəin]: note "s" rather than "z")[1] is a Scots poem written by Robert Burns in 1788[2] and set to the tune of a traditional folk song (Roud # 6294). It is well known in many English-speaking (and other) countries and is often sung to celebrate the start of the New Year at the stroke of midnight. By extension, its use has also become common at funerals, graduations, and as a farewell or ending to other occasions.

The song's Scots title may be translated into English literally as "old long since", or more idiomatically, "long long ago",[3] "days gone by" or "old times". Consequently "For auld lang syne", as it appears in the first line of the chorus, is loosely translated as "for (the sake of) old times".

The phrase "Auld Lang Syne" is also used in similar poems by Robert Ayton (1570–1638), Allan Ramsay (1686–1757), and James Watson (1711) as well as older folk songs predating Burns.[4] Matthew Fitt uses the phrase "In the days of auld lang syne" as the equivalent of "Once upon a time..." in his retelling of fairy tales in the Scots language.

Contents

History

Robert Burns sent a copy of the original song to the Scots Musical Museum with the remark, “The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man".[5] Some of the lyrics were indeed "collected" rather than composed by the poet; the ballad "Old Long Syne" printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns' later poem,[4] and is almost certainly derived from the same "old song". It is a fair supposition to attribute the rest of the poem to Burns himself.[5]

There is some doubt as to whether the melody used today is the same one Burns originally intended, but it is widely used in Scotland and in the rest of the world.[6]

Singing the song on Hogmanay or New Year's Eve very quickly became a Scots custom that soon spread to other parts of the British Isles. As Scots (and other Britons) emigrated around the world, they took the song with them.

Canadian band leader Guy Lombardo is often credited with popularising the use of the song at New Year’s celebrations in America, through his annual broadcasts on radio and television, beginning in 1929. The song became his trademark. In addition to his live broadcasts, Lombardo recorded the song more than once. His first recording was in 1939. A later recording on 29 September 1947 was issued as a single by Decca Records as catalog #24260.[7]

However, earlier newspaper articles describe revellers on both sides of the Atlantic singing the song to usher in the New Year:

A manuscript of "Auld Lang Syne" is held in the permanent collection of The Lilly Library at Indiana University in Bloomington, Indiana.[10]

Lyrics

The song begins by posing a rhetorical question as to whether it is right that old times be forgotten, and is generally interpreted as a call to remember long-standing friendships.[11] Thomson’s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[11]

Most common use of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words "For the sake of" or "And days of", rather than Burns' simpler lines. This allows one note for each word, rather than the slight melisma required to fit Burns' original words to the melody.

The following table of lyrics includes the first few stanzas of the James Watson poem, probably derived from the same folk song as Burns used as the basis for his poem.

Complete lyrics
Old Long Syne, by James Watson (1711) Burns’ original Scots verse[3] English translation
(minimalist)
Scots pronunciation guide
(as Scots speakers would sound)
IPA pronunciation guide[12]

Should Old Acquaintance be forgot,
and never thought upon;
The flames of Love extinguished,
and fully past and gone:
Is thy sweet Heart now grown so cold,
that loving Breast of thine;
That thou canst never once reflect
on Old long syne.

CHORUS:
On Old long syne my Jo,
in Old long syne,
That thou canst never once reflect,
on Old long syne.

My Heart is ravisht with delight,
when thee I think upon;
All Grief and Sorrow takes the flight,
and speedily is gone;
The bright resemblance of thy Face,
so fills this, Heart of mine;
That Force nor Fate can me displease,
for Old long syne.

CHORUS

Since thoughts of thee doth banish grief,
when from thee I am gone;
will not thy presence yield relief,
to this sad Heart of mine:
Why doth thy presence me defeat,
with excellence divine?
Especially when I reflect
on Old long syne

CHORUS

(several further stanzas)

Should auld acquaintance be forgot,
and never brought to mind ?
Should auld acquaintance be forgot,
and auld lang syne* ?

CHORUS:
For auld lang syne, my jo,
for auld lang syne,
we’ll tak a cup o’ kindness yet,
for auld lang syne.

And surely ye’ll be your pint-stowp !
and surely I’ll be mine !
And we’ll tak a cup o’ kindness yet,
for auld lang syne.

CHORUS

We twa hae run about the braes,
and pu’d the gowans fine ;
But we’ve wander’d mony a weary foot,
sin auld lang syne.

CHORUS

We twa hae paidl’d i' the burn,
frae morning sun till dine ;
But seas between us braid hae roar’d
sin auld lang syne.

CHORUS

And there’s a hand, my trusty fiere !
and gie's a hand o’ thine !
And we’ll tak a right gude-willy waught,
for auld lang syne.

CHORUS

Should old acquaintance be forgot,
and never brought to mind ?
Should old acquaintance be forgot,
and old lang syne ?

CHORUS:
For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.

And surely you’ll buy your pint cup !
and surely I’ll buy mine !
And we'll take a cup o’ kindness yet,
for auld lang syne.

CHORUS

We two have run about the slopes,
and picked the daisies fine ;
But we’ve wandered many a weary foot,
since auld lang syne.

CHORUS

We two have paddled in the stream,
from morning sun till dine ;
But seas between us broad have roared
since auld lang syne.

CHORUS

And there’s a hand my trusty friend !
And give us a hand o’ thine !
And we’ll take a right good-will draught,
for auld lang syne.

CHORUS

Shid ald akwentans bee firgot,
an nivir brocht ti mynd?
Shid ald akwentans bee firgot,
an ald lang syn*?

CHORUS:
Fir ald lang syn, ma jo,
fir ald lang syn,
wil tak a cup o kyndnes yet,
fir ald lang syn.

An sheerly yil bee yur pynt-staup!
an sheerly al bee myn!
An will tak a cup o kyndnes yet,
fir ald lang syn.

CHORUS

We twa hay rin aboot the braes,
an pood the gowans fyn;
Bit weev wandert monae a weery fet,
sin ald lang syn.

CHORUS

We twa hay pedilt in the burn,
fray mornin sun til dyn;
But seas between us bred hay roard
sin ald lang syn.

CHORUS

An thers a han, my trustee feer!
an gees a han o thyn!
And we’ll tak a richt gude-willie-waucht,
fir ald lang syn.

CHORUS

ʃɪd o̜ːld ə.kwɛn.təns bi fəɾ.ɡot,
ən nɪ.vəɾ brɔxt tɪ məin ?
ʃɪd o̜ːld ə.kwɛn.təns bi fəɾ.ɡot,
ən o̜ːl lɑŋ səin ?

CHORUS:
fəɾ o̜ːl lɑŋ səin, mɑ diːɾ,
fəɾ o̜ːl lɑŋ səin,
wiːl tɑk ə kʌp ə kəin.nəs jɛt,
fəɾ o̜ːl lɑŋ səin.

ən ʃeːr.li jiːl bi juːɾ pəin.stʌup !
ən ʃeːr.li ɑːl bi məin !
ən wiːl tɑk ə kʌp ə kəin.nəs jɛt,
fəɾ o̜ːl lɑŋ səin.

CHORUS

wi two̜̜ː heː rɪn ə.but ðə breːz,
ən puːd ðə ɡʌu.ənz fəin ;
bʌt wiːv wɑn.əɾt mʌ.ne ə wiːɾɪ fɪt,
sɪn o̜ːl laŋ səin.

CHORUS

wi two̜̜ː heː pe.dlt ɪn ðə bʌɾn,
freː moːɾ.nɪn sɪn tɪl dəin ;
bʌt siːz ə.twin ʌs bred heː roːrd
sɪn o̜lː laŋ səin.

CHORUS

ən ðeːrz ə ho̜ːn, mɑ trʌs.tɪ fiːɾ !
ən ɡiːz ə ho̜ːn ə ðəin !
ən wiːl tak ə rɪxt ɡɪd wʌ.lɪ wo̜ːxt,
fəɾ o̜lː laŋ səin.

CHORUS

dine = "dinner time"
ch = soft throat clearing sound, similar to "lachen" and "Bach" in German
* syne = "since" or "then" - pronounced "sign" rather than "zine".

Melody

The tune to which "Auld Lang Syne" is now commonly sung is a pentatonic Scots folk melody, probably originally a sprightly dance in a much quicker tempo.[11]

English composer William Shield seems to quote the "Auld Lang Syne" melody briefly at the end of the overture to his opera Rosina, which may be its first recorded use. The contention that Burns borrowed the melody from Shield is for various reasons highly unlikely, although they may very well both have taken it from a common source, possibly a strathspey called The Miller's Wedding or The Miller's Daughter. The problem is that tunes based on the same set of dance steps necessarily have a similar rhythm, and even a superficial resemblance in melodic shape may cause a very strong apparent similarity in the tune as a whole. For instance, Burns' poem Coming Through the Rye is sung to a tune that might also be based on the Miller's Wedding. The origin of the tune of God Save the Queen presents a very similar problem and for just the same reason, as it is also based on a dance measure. (See the note in the William Shield article on this subject.)

Songwriter George M. Cohan quotes the first line of the "Auld Lang Syne" melody in the second to last line of the chorus of You're a Grand Old Flag. It is plain from the lyrics that this is deliberate.

Uses

At New Year

"Auld Lang Syne" is traditionally sung at the conclusion of New Year gatherings in Scotland and around the world, especially in English speaking countries.

It is common practice that everyone joins hands with the person next to them to form a great circle around the dance floor. At the beginning of the last verse, everyone crosses their arms across their breast, so that the right hand reaches out to the neighbour on the left and vice versa. When the tune ends, everyone rushes to the middle, while still holding hands. When the circle is re-established, everyone turns under the arms to end up facing outwards with hands still joined.

In countries other than Scotland the hands are often crossed from the beginning of the song at variance with Scottish custom. The Scottish practice was demonstrated by the Queen at the Millennium Dome celebrations for the year 2000. The English press berated her for not "properly" crossing her arms, unaware that she was correctly following the Scottish tradition.[13][14]

Other than New Year

As well as celebrating the New Year, Auld Lang Syne is very widely used to symbolise other "endings/new beginnings" – including farewells, funerals, graduations, the end of a (non-New Year) party or a Boy Scout gathering, the election of a new government, and even the closing of a retail store. The melody is also widely used for other words, especially the songs of sporting and other clubs, and even national anthems. In Scotland and other parts of Britain, in particular, it is associated with celebrations and memorials of Robert Burns. The following list of specific uses is far from comprehensive.

In the English speaking world

In non-English speaking countries

Use in films

Some notable performances

[15]

Notable Covers and renditions

Coinage

British £2 coin. 250th anniversary of the birth of Robert Burns.
Reverse: Design featuring a quote from the song "Auld Lang Syne", WE’LL TAK A CUP A’ KINDNESS YET, FOR AULD LANG SYNE, the calligraphy of which is based on the handwriting of Robert Burns, surrounded by the inscription 1759 ROBERT BURNS 1796.
Edge inscription: SHOULD AULD ACQUAINTANCE BE FORGOT

References

  1. Search for "lang syne" at The website of the Dictionary of the Scots language
  2. http://www.bbc.co.uk/robertburns/works/auld_lang_syne/
  3. 3.0 3.1 Burns, Robert (1947) [[[Transcribed]] 1788]. George Frederick Maine. ed (in English and Scots) (leather-bound sextodecimo). Songs from Robert Burns 1759–1796. Collins Greetings Booklets. Glasgow: Collins Clear-Type Press. pp. 47–48. "This book was purchased at Burns Cottage, and was reprinted in 1967, and 1973" 
  4. 4.0 4.1 nls.uk
  5. 5.0 5.1 Lindsay, Maurice (December 1996) [1959]. "Auld Lang Syne". The Burns Encyclopedia (New Third ed.). Robert Hale Ltd.. pp. 448 pages. ISBN 0-7090-5719-9. http://www.robertburns.org/encyclopedia/AuldLangSyne.5.shtml. Retrieved 28 December 2007. 
  6. Links to the original and contemporary melodies can be found here
  7. Lynch, Stephen (31 December 1999). "New Year's song remains ingrained in public mind". The Orange County Register. http://www.augustachronicle.com/stories/123199/cy2_124-4983.shtml. 
  8. "Holiday Parties at Lenox". The New York Times: pp. 10. 5 January 1896. 
  9. "New Year's Eve in London". Washington Post: pp. 12. 2 January 1910. 
  10. The Lilly Library, Guide to the Collections: British Literature
  11. 11.0 11.1 11.2 Electric Scotland history site
  12. Wilson, James (Sir) (1923) The dialect of Robert Burns as spoken in central Ayrshire, Oxford University Press.
  13. Aslet, Clive (13 July 2007). "One doesn't do tantrums and tiaras – Telegraph". London: Telegraph.co.uk. http://www.telegraph.co.uk/portal/main.jhtml?xml=/portal/2007/07/13/nosplit/ftqueen113.xml. Retrieved 25 November 2008. 
  14. "Queen stays at arm's length". Archive.thisislancashire.co.uk. http://archive.thisislancashire.co.uk/2000/1/5/746150.html. Retrieved 25 November 2008. 
  15. "'New record' for Auld Lang Syne". BBC News. 30 November 2009. http://news.bbc.co.uk/1/hi/scotland/glasgow_and_west/8387582.stm. Retrieved 25 April 2010. 

External links

Variant lyrics